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With double digit increases in sales annually, audiobooks have become a staple in the publishing industry. Bringing your stories to life on audio is the best way to maximize your potential audience and create a wonderfully engrossing experience. Whether you are just gathering information or are ready to dive in, I hope this Q&A will help demystify the audiobook creation process. Note: I will focus solely on audiobook production using ACX (Audible’s audiobook marketplace owned by Amazon) but I am happy to chat about all the other options 😊
Audiobook jargon:
It takes about 6 hours to produce 1 finished hour of audio
How to approximate the number of finished hours in my book? The average number of words that can be read in one hour is 9000. => Number of finished hours = number of words in your book / 9000 For example: 63,000 words = around 7 hours of finished audio Where will my audiobook be distributed? ACX lists the audiobooks on Amazon, Audible and iTunes for retail sale. If you would like to distribute to other channels (libraries, schools…), you can select a non-exclusive contract with lower royalties. How much does it cost to create an audiobook? With ACX, your expenses are largely dependent on what you choose to pay your narrator. Rates for narration can be structured in three ways: pay-per-finished hour (PFH), royalty share (RS) and royalty share plus (RS+). PFH: In a PFH scenario the RH buys out the audiobook production for a fixed fee (based on the final audiobook length) and retains all net royalties. ACX has tiers of payment from which the rights holder can choose. An experienced narrator will start at around $250PFH. RS: There are no upfront costs for the RH. The RH and the narrator share a percentage of the profit from the audiobook sales. This can be up to 40%, split between the two (meaning the narrator and the rights holder each get up to 20% of the profits). Keep in mind that many audiobooks are purchased from Audible with credits – meaning lower net royalties. Because the Narrator has to make the upfront investment in time and production costs, the RH should make sure they communicate about their sales perspectives (ebook sales are a useful indicator) and marketing plan in order to attract the most qualified talent. RS+: A hybrid of PFH and RS where the narrator agrees to perform the audiobook for royalty-share plus an additional pay per-finished-hour rate – typically to cover post-production costs (editing, proofing, mastering) – which can range anywhere from $75PFH to $125PFH How can I find the right voice for my story? An RH can list an audition on the ACX marketplace but they should be prepared to be swamped with offers. The more specific you are with your project description, the better. A more strategic approach is to seek out the right voice either directly on ACX's narrator list or even on social media. If your ideal narrator is not available, they are usually happy to give you alternative recommendations from their own network. Where can I find more information?
Please feel free to contact me with any questions! I am always happy to jump on a call or send you a short complimentary audio sample of your material
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audiobook sneak peek - With summer's Songs by Janice cole HopkinsHow far would you go to protect your loved ones?
This is exactly what single-mom Tara Kildare has to ask herself when her parents in law try to claim full custody of her little boy, Ricky. Should she marry Sean, the handsome cruiseship officer she just met in order to strengthen her court case? But how can she take this leap of faith when she is still struggling with the trauma of her abusive ex-husband? Fun facts 1. With Summer’s Songs was my first ever solo audiobook project and is a sweet romance novel written by Janice Cole Hopkins. 2. I went on a sailing trip in the Caribbean around the time of the recording which also happened to be the setting for half the story. Did I hear "commitment"? Well, more lucky coincidence really ;) 3. We decided to mix in some music at the beginning of each chapter and for point of view changes to honor the musical thread of the story - each chapter is named after a famous song. Takeaways This project took me a LOOONNNNGGGG time to complete. I probably spent 11-13 hours of work for each finished hour of audio. I was reading several books on voice acting at that time and the biggest takeaway was how the positioning of your body influences your voice and can help reinforce different emotions. For Sean, the eternal optimist, I would always keep an open body posture which gave him a brighter, warmer tone. For Tara, the sensitive young widow, I would adopt a closed posture. There were a lot of other female / male characters and I had fun finding different voices for each of them, including the sleezy Lucien. Another takeaway is the crucial role of the author throughout the production process. I have to say that Janice was the most supportive and dedicated author I've ever worked with and I am very proud of the final result. With Summer's Songs is perfect for lazy day at the beach... or if you're dreaming of one 😉 About the author Janice Cole Hopkins grew up in the Appalachian Mountains of North Carolina. She learned to love stories before she could read, started reading at age five, wrote her own stories in third grade, and had published poetry by eight grade. As a teacher, she mainly wrote for magazines, because they didn’t take as much time, but she always wanted to write a historical novel. After she retired from teaching and became her mother’s caregiver, she wrote her first novel, and she’s still writing. To date, she’s published ten inspirational novels with more on the way. She also loves to travel and has gone to all fifty states, on fourteen cruises, and to forty other countries. All her profits go to a scholarship fund for missionary children. Give your eyes a rest! Here is the link to download the audiobook on Audible. Remember, your first book is free! Would love to know your thoughts about it 😊 |
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About MeFrench-American voice actor. Paris born, San Francisco living, Japan lovin'. Find out more. 
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